Vistas of Modernity – Decolonial Aesthesis And The End Of The Neue Musik My Mother Laughs is both

My Mother Laughs is both the distillation of the themes Akerman pursued throughout her creative life

bald nachdenklich schärft sie so unser Bewusstsein für den menschengerechten Rhythmus des Gehens

Bonaventure Soh Bejeng Ndikung was born in 1977 in Yaoundé

the visual history of telepathy research

Vistas of Modernity – Decolonial Aesthesis And The End Of The Neue Musik My Mother Laughs is bothWe are living in a time of polarization. Cultural and educational institutions are confronted with the responsibility to provide tools and spaces for critical reflection, for engagement, and, more fundamentally, for meeting and recognizing each other in our differences. In this decolonial essay Rolando Vzquez introduces his critique which offers an option for thinking and doing beyond the dominant paradigms. It provides a critical analysis of